It’s difficult to write about Cloud Atlas , the sweeping adaptation of David Mitchell’s 2004 nesting doll of a novel, by Lana Wachowski, Andy Wachowski, and Tom Tykwer, if only because it’s doing so many different things, telling stories that range from the slave trade to multiple post-apocalypses, testing the limits of how big an independent movie can be and still be viable, and exploring the power of reincarnation and liberation movements. I don’t really think that Cloud Atlas works–it’s simultaneously too much, and too little–but while its characters are reaching for better lives, there’s a lot in Cloud Atlas that suggests what a better movie-going landscape might look like
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